Beschreibung Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes. Italian Renaissance ‘plaquettes’ are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the form of catalogues, thereby both responding to and propagating the myth of this classification. However, what is often forgotten, or buried deep in scattered catalogue entries, is that during the Renaissance this small relief format was regularly mass-produced and employed extensively in a variety of different contexts. Far from being a homogeneous category, plaquettes were originally viewed as many separate types of object, including pieces for personal adornment, liturgical objects, domestic artefacts, and models for architecture and painting. For the Renaissance consumer, the commission of a hat badge with a personal motto, the purchase of an off-the-shelf inkwell or the acquisition of a small relief for his study were separate concerns. The aim of this book is to redress the balance by examining these reliefs in terms of their use, alongside broader issues regarding the status of such objects within visual, scholarly and artistic culture from the fifteenth century to the early sixteenth.
Fashion, Devotion and Contemplation: The Status and ~ Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes / Marika Leino / ISBN: 9783039110681 / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .
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Fashion, Devotion and Contemplation: The Status and ~ Italian Renaissance ‘plaquettes’ are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the form of catalogues, thereby both responding to and propagating the myth of this classification. However, what .
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Chapter 1 Introduction ~ Fashion, Devotion and Contemplation The Status and Functions of Italian Renaissance Plaquettes Marika Leino. Italian Renaissance ‘plaquettes’ are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the .
Art Object Page - nga.gov ~ Lewis, Douglas. "The Plaquettes of 'Moderno' and His Followers." Studies in the History of Art 22 (1989): 110-111, fig. 4; 140, no. I.5. 2013 Leino, Marika. Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes.
Art Object Page - nga.gov ~ download; share; Marks and Labels; Provenance; Bibliography; Related Content; Marks and Labels . Reverse bears former catalogue number 208 in faint white paint (Molinier 1886), as well as former inventory numbers 163 in red paint (Dreyfus) and 207 in yellow paint (Ricci 1931). Provenance. Gustave Dreyfus [1837-1914], Paris; his estate; purchased 1930 by (Duveen Brothers, Inc., London and New .
Art Object Page - nga.gov ~ Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes. Oxford, 2013: 139 figs. 84-85, 140-141. Figure 85 misidentifies the relief of Oxford, 2013: 139 figs. 84-85, 140-141.
Chapter 7 Plaquettes and Rock Crystals: Valerio Belli and ~ Fashion, Devotion and Contemplation The Status and Functions of Italian Renaissance Plaquettes Marika Leino. Italian Renaissance ‘plaquettes’ are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the .
Art Object Page - nga.gov ~ Les Bronzes de la Renaissance. Les Plaquettes; . Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes. Oxford, 2013: 187-188, fig. 117. 2016 Warren, Jeremy. The Wallace Collection: Catalogue of Italian Sculpture. 2 .
Art Object Page - nga.gov ~ Pope-Hennessy, John W. Renaissance Bronzes from the Samuel H. Kress Collection: Reliefs, Plaquettes, Statuettes, Utensils and Mortars. London, 1965: no. 93. 1987 Lewis, Douglas. "The Medallic Oeuvre of 'Moderno': His Development at Mantua in the Circle of 'Antico.'" Studies in the History of Art 21 (1987):83-86, 89, 95, repro. 1989 Lewis, Douglas. "The Plaquettes of 'Moderno' and His Followers .
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Chapter 8 The Collector’s Study: Collecting and Display ~ Fashion, Devotion and Contemplation The Status and Functions of Italian Renaissance Plaquettes Marika Leino. Italian Renaissance ‘plaquettes’ are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the .
About the author : Performativity in the Gallery ~ Marika Leino is Senior Lecturer in the History of Art at Oxford Brookes University. She has written on early modern sculpture and the history of collecting. Her book, Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes, was published with Peter Lang in 2013.
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A selection of plaquettes from the - Renaissance Bronze ~ Preview / download PDF in High Resolution. THE PLAQUETTE. Plaquettes are small metal reliefs, typically cast in bronze, which belong to the category of Renaissance sculpture. The academic study of plaquettes did not develop until the 1860s during which time the term “plaquette” was invented by the French scholar Eugene Piot. Most early scholars of plaquettes resided in France, Germany and
Performativity in the Gallery: Staging Interactive ~ Marika Leino is Senior Lecturer in the History of Art at Oxford Brookes University. She has written on early modern sculpture and the history of collecting. Her book, Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes, was published with Peter Lang in 2013.
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